JAMES BROWN: LIVE AT HOME WITH HIS BAD SELF RECORDED OCTOBER 1, 1969 IN AUGUSTA, GEORGIA
Roof-Raising Concert Album Includes Seven Previously Unreleased Performances
Los Angeles � September 6, 2019�� The 50th�anniversary of James Brown’s October 1, 1969 homecoming concert in Augusta, Georgia, will be celebrated with the first-ever release of the complete show, newly mixed and including seven never-before-issued performances. Available now for preorder on CD, 2LP vinyl, and digital audio,�Live at Home with His Bad Self�will be released�on October 25 by Republic/UMe.

Preorder James Brown’s�Live at Home with His Bad Self�and listen to “Give It Up Or Turnit A Loose” now:�https://UMe.lnk.to/JBLiveAtHomePR
James Brown’s roof-raising performance at the city’s Bell Auditorium was captured on tape, with the intent to make an album of the show the cornerstone of a move back to his Augusta roots.�Live at Home with His Bad Self�was scheduled as a 1969 holiday release. But Brown and his band, featuring saxophone legend Maceo Parker and three legendary drummers � Maceo’s brother Melvin, Jabo Starks, Clyde Stubblefield, together for this tour only � soon broke up. Soul Brother No. 1 called in a new, young group, featuring bassist Bootsy Collins, and within a few weeks they recorded the funk anthem “Sex Machine.” With the single flying up the charts and no full-length to promote with it, Brown shelved the planned�Live at Home�album. He instead produced�Sex Machine, a 2LP set released in 1970 that included a portion of the Augusta show.
Now, finally, as James Brown intended: the full Augusta homecoming show with his celebrated 1960s band.�Live at Home with His Bad Self�is�newly mixed from the original analog multi-tracks by Peter A. Barker, whose credits include mixes of live recordings by Jeff Beck, Bonnie Raitt, Babyface, and more.�The album’s seven previously unreleased performances include two instrumentals, “Lowdown Popcorn” and “Spinning Wheel,” which were re-cut with canned applause for the�Sex Machine�release. Also included is Brown’s then-current hit, “World,” performed at the concert with a live vocal over a tape of the studio recording’s instrumental arrangement, an unusual move which Brown explains to the audience, while “There Was A Time” and “Mother Popcorn,” originally heavily edited on�Sex Machine, are doubled in length. Other highlights include an actual live rendition of “Give It Up Or Turnit A Loose,” Brown’s influential hit from 1968, a title fans will note appears on the�Sex Machine�album, but may not be aware that version is a studio re-record.
The CD and 2LP vinyl packages include an essay by Alan Leeds, the GRAMMY�-winning former James Brown tour manager and publicist who is also the album’s co-producer.
James Brown:�Live at Home with His Bad Self�
Side 1
- Say It Loud – I’m Black and I’m Proud
- James Brown Thanks and Introduction to “World”*
- World*
- Stage Dialogue*
Side 2
- Lowdown Popcorn*
- Spinning Wheel*
- If I Ruled The World
- Kansas City*
Side 3
- Introduction to Startime
- I Don’t Want Nobody To Give Me Nothing (Open Up the Door I’ll Get It Myself)
- I Got The Feelin’*/Licking Stick-Licking Stick
- Try Me*
- There Was A Time **
Side 4
- Give It Up Or Turnit A Loose*
- It’s A Man’s Man’s Man’s World
- Please, Please, Please
- I Can’t Stand Myself (When You Touch Me)
- Mother Popcorn **
�
James Brown:�Live at Home with His Bad Self�
- Say It Loud – I’m Black and I’m Proud
- James Brown Thanks and Introduction to “World”*
- World*
- Stage Dialogue*
- Lowdown Popcorn*
- Spinning Wheel*
- If I Ruled The World
- Kansas City*
- Introduction to Startime
- I Don’t Want Nobody To Give Me Nothing (Open Up the Door I’ll Get It Myself)
- I Got The Feelin’*/Licking Stick-Licking Stick
- Try Me*
- There Was A Time **
- Give It Up Or Turnit A Loose*
- It’s A Man’s Man’s Man’s World
- Please, Please, Please
- I Can’t Stand Myself (When You Touch Me)
- Mother Popcorn **


