Cornelia Murr is set to perform at the Music Hall of Williamsburg in Brooklyn on Saturday, March 14th, marking a significant moment for both the artist and the venue, which is slated to close by the end of the year. Known for her introspective and atmospheric sound, Murr’s music evokes a sense of nostalgia reminiscent of the Lilith Fair era in the late 90s. With her latest album, Run To The Center, she showcases her growth as an artist, weaving together rich themes and personal experiences.
The recent release of her B-sides, “Treaty” and “Gotta Give,” further exemplifies Murr’s artistic depth. These tracks, alongside her new single “Come Undone,” offer listeners a glimpse into her creative process and emotional landscape. Murr’s music is characterized by layered melodies and a captivating atmosphere, making her work both enchanting and relatable.
In a recent interview, Murr discussed her journey into the music industry, revealing that she initially started by providing backup vocals for other artists, including a duo with Elvis Perkins. It wasn’t until she collaborated with Jim James, who produced her first record, that she began to carve out her own space in the industry. Murr expressed her thoughts on fitting into today’s diverse musical landscape, acknowledging the vast array of genres and the importance of finding her niche.
When asked about her decision to release the B-sides, Murr explained that these songs had been in her repertoire for some time, and it felt right to share them with the world. She emphasized the satisfaction of documenting her older work, allowing her to move forward creatively. As for her new single “Come Undone,” she shared that it is part of a collection of songs created in Paris, hinting at the varied direction her future music may take.
Murr also reflected on the themes she has explored in her writing, particularly the realization of life’s unpredictability. She expressed a desire to experiment with new sounds, including dance music, while also collaborating with other women songwriters on a stripped-down country folk project. As she prepares for her performance in New York City, Murr is grateful for the memories associated with the Music Hall of Williamsburg and the opportunity to connect with her audience before the venue closes its doors.
