Hubbard Radio midday host and 105.7 The Point (KPNT) Music Director Donny Fandango delivered a significant local fundraising milestone for the radio industry, raising $53,345 during his 16th Annual Radiothon for Ronald McDonald House Charities of St. Louis. This single campaign pushes The Point’s cumulative fundraising for the organization past $700,000, demonstrating the sustained revenue potential of long-term community partnerships for urban and alternative radio stations.
Record-Breaking Cumulative Impact
The 28-hour campaign, which ran from Thursday, July 9 at 10 a.m. to Friday, July 10 at 2 p.m., relied on listener generosity to support families with seriously ill children receiving medical treatment in the St. Louis area. While the Radio Ink report cites the $53,345 figure for the 16th annual event, the Ronald McDonald House Charities of St. Louis website confirms a slightly higher total of $65,314 for the same campaign, reflecting the final on-demand request donations processed after the broadcast window closed. Regardless of the variance in final tallies, the station’s historical contribution remains the dominant metric, with the cumulative total exceeding $700,000 since the initiative began over a decade ago.
Local Media Obligation and Business Model
The event reinforces the “live and local” broadcasting model that radio executives increasingly cite as a key differentiator against streaming competitors. Hubbard St. Louis Market President John S. Kijowski emphasized that local media has an obligation to serve communities where it operates, framing the Radiothon as a tangible example of that commitment. Fandango, a St. Louis native, highlighted the personal connection driving the effort, stating that listeners make him proud to be from the area. The campaign structure, which allowed listeners to make on-demand song requests with donations of $35 or more, created a direct engagement loop that converted audience loyalty into charitable revenue without requiring traditional advertising inventory.
This type of sustained, multi-year charitable programming offers radio programmers a stable content pillar that builds brand equity and listener retention. For rights holders and publishers, these events often generate high-volume request traffic for specific tracks, providing a measurable boost in local airplay that can influence regional streaming trends. The Point’s ability to maintain this initiative for 16 consecutive years suggests a robust operational framework for community engagement that other market leaders may seek to replicate to strengthen their local market position.
For editorial consideration and industry coverage inquiries, contact Radio Facts.











